
Soft infrastructures are the social, relational and imaginative systems that allow culture to grow - shared knowledge, informal networks, mutual aid, pedagogies, community memories, peer-to-peer skills, and collective organisational behaviours.
Unlike hard infrastructure - buildings, equipment - soft infrastructures are the conditions of trust, care, access, governance and learning that sustain long-term cultural life. Especially where there are barriers to participation and inclusion.
Strange Field's entire programme is built around developing, testing and sharing these soft infrastructures across disciplines, generations and communities.
Strange Exchange Forum, reader residencies, and publication projects all operate as infrastructures of practice:
Monthly peer-led learning sessions become repeatable structures for knowledge exchange toolkits, worksheets, syllabi and publications form distributed infrastructures of access, especially for artist-educators.
Young artist cohorts and workshop assistant roles build pathways into creative labour for those typically excluded.
Soft infrastructure here is: skills transfer, shared vocabularies, and the creation of supportive peer networks that outlast the funded period.
Strange Field’s focus on alternative pedagogies, play research, embodied practice and radical education approaches works as a para-educational infrastructure:
the forums on access and collaborative methods
the Strange Exchange library as a long-term knowledge commons
play research and embodied learning as non-institutional educational infrastructures supporting young people and adults
These create conditions for learning outside formal school systems, tying directly to themes of class, social history and community organising.
Projects such as Nippy Sweetie and Radical Archiving all build soft infrastructures of community memory, especially working-class and overlooked histories:
documenting oral histories
generating accessible records (zines, handouts, prompts, toolkits)
hosting reading groups and intergenerational dialogues
This is “infrastructure” in the sense of making histories visible, accessible and usable, creating cultural continuity where archives are missing or erased.
Our strands on community ownership, and social tenant collaborations position Strange Field as a site where organising infrastructures can be rehearsed, tested and disseminated:
solidarity models shared across organisations
governance experiments within collectives
distributed performance/publication forms that strengthen community agency
This positions soft infrastructure as collective capacity: the practices of self-organisation, mutual support, and horizontal governance that underpin cultural justice.
Residencies, multi-form projects, collaborations with ecologists, performers, dancers, musicians, and local communities collectively build cross-sector infrastructures:
shared methodologies between art, ecology, social research and performance
permeable boundaries between communities and disciplines
developing triadic collaborations (Triad Collabs/Deviji) as modular infrastructures for encounter and co-making
These provide structural conditions for experimentation, not one-off outputs.
Our emphasis on free access, distributed publications, quiet city-wide interventions, and open educational resources builds soft infrastructures of cultural distribution:
free-to-access libraries
online resources
clay oven gatherings, intergenerational performance
workshops embedded in local community contexts
The infrastructure here is hospitable spaces for gathering, and distributed cultural value rather than centralised output.